tag:blogger.com,1999:blog-12111811474124888912024-03-21T14:50:34.707-04:00PG KinoGerman Film Series @ Cornell University
// German Cinema BlogPG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.comBlogger58125tag:blogger.com,1999:blog-1211181147412488891.post-83259216449758201052013-10-24T19:12:00.001-04:002013-10-24T19:15:53.023-04:00Fall 2013 Series: Avant-garde women in German history<h2>
</h2>
November 4 2013 at 7pm G76 Goldwin Smith Hall Lewis Auditorium<br />
<h3>
Margarethe von Trotta: Vision. From the life of Hildegard von Bingen (Germany 2009; 111mins)</h3>
In German with English subtitles<br />
<br />
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<table border="0" cellpadding="0" cellspacing="0" style="width: 398px;"><tbody>
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<td width="50"><img src="http://www.zeitgeistfilms.com/index/images/spacer.gif" /></td>
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<td style="text-align: center;"><b>Synopsis</b><br />
<br />
Hildegard von Bingen was truly a woman
ahead of her time. A visionary in every sense of the word, this famed
12th-century Benedictine nun was a Christian mystic, composer,
philosopher, playwright, poet, naturalist, scientist, physician,
herbalist and ecological activist. <br />
In <i>Vision - from the Life of Hildegard von Bingen</i>, New German Cinema auteur Margarethe von Trotta reunites with recurrent star Barbara Sukowa (<i>Zentropa</i>, <i>Berlin Alexanderplatz</i>)
to bring the story of this extraordinary woman to life. In a staggering
performance, Sukowa portrays von Bingen’s fierce determination to
expand the responsibilities of women within the order, even as she fends
off outrage from some in the Church over the visions she claims to
receive from God. Lushly shot in the original medieval cloisters of the
fairytale-like German countryside, <i>Vision</i> is a profoundly
inspirational portrait of a woman who has emerged from the shadows of
history as a forward-thinking and iconoclastic pioneer of faith, change
and enlightenment.<br />
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
(from: <a href="http://www.zeitgeistfilms.com/film.php?directoryname=vision" target="_blank">Zeitgeist Films. The spirit of the times</a>) </div>
</td><td style="text-align: center;"><br /></td><td style="text-align: center;"><br /></td></tr>
</tbody></table>
PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-27368545385661656452013-09-29T11:35:00.000-04:002013-09-29T12:10:51.867-04:00<!--[if gte mso 9]><xml>
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<![endif]--><span style="color: purple;"><span lang="EN-US" style="mso-ansi-language: EN-US;">Fall 2013
series: Avant-garde women in German history</span></span></h3>
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<h3>
<span style="color: blue;"><span lang="EN-US" style="mso-ansi-language: EN-US;">We open our
fall series on Monday, <b>October 21st</b> <b>7pm</b> with Marc Rothemund’s <b>“Sophie Scholl – The final
days</b>” (Germany 2005; 117 mins)</span></span></h3>
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<h4>
<span style="color: blue;"><span lang="EN-US" style="mso-ansi-language: EN-US;">in German with English subtitles </span></span></h4>
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<span style="color: blue;"><span lang="EN-US" style="mso-ansi-language: EN-US;">G76 Goldwin
Smith Hall Lewis Auditorium</span></span></h4>
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibjJEmVzi8oC0FIeFLBLBnz6tUKVUGH2YqZKIKcy1zLOKJW0QeJ6foBLqHbiyg-EwGwW1wBRaziQIqvG_xomTJAL8BCKEtx-wCSXM0_oUBHFEA4jTzX1DXgASsGzF98XDfvOl7FoNZQqCx/s1600/poster_large_Scholl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibjJEmVzi8oC0FIeFLBLBnz6tUKVUGH2YqZKIKcy1zLOKJW0QeJ6foBLqHbiyg-EwGwW1wBRaziQIqvG_xomTJAL8BCKEtx-wCSXM0_oUBHFEA4jTzX1DXgASsGzF98XDfvOl7FoNZQqCx/s320/poster_large_Scholl.jpg" width="220" /></a></div>
<b>Synopsis</b><br />
<br />
The true story of Germany’s most famous anti-Nazi
heroine is brought to thrilling life in the multi-award winning drama
SOPHIE SCHOLL-THE FINAL DAYS. <b>Academy Award Nominee for Best Foreign Language Film</b>,
SOPHIE SCHOLL stars Julia Jentsch in a luminous performance as the
young coed-turned-fearless activist. Armed with long-buried historical
records of her incarceration, director Marc Rothemund expertly
re-creates the last six days of Sophie Scholl’s life: a heart-stopping
journey from arrest to interrogation, trial and sentence.<br />
<br />
In
1943, as Hitler continues to wage war across Europe, a group of college
students mount an underground resistance movement in Munich. Dedicated
expressly to the downfall of the monolithic Third Reich war machine,
they call themselves the White Rose. One of its few female members,
Sophie Scholl is captured during a dangerous mission to distribute
pamphlets on campus with her brother Hans. Unwavering in her convictions
and loyalty to the White Rose, her cross-examination by the Gestapo
quickly escalates into a searing test of wills as Scholl delivers a
passionate call to freedom and personal responsibility that is both
haunting and timeless.<br />
<br />
SOPHIE SCHOLL received three Lolas (German
Oscars) including the Audience Award and Best Actress Award to Jentsch
for her brilliant characterization of the title role. The film also won
two Silver Bears for Best Director and Best Actress at the 2005 Berlin
International Film Festival.<br />
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">(from <a href="http://www.zeitgeistfilms.com/film.php?directoryname=sophiescholl">Zeitgeist The spirit of the times Films</a>)<span id="goog_32826431"></span><a href="http://www.blogger.com/"><span id="goog_32826432"></span></a></span></div>
PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-49162545385775485842012-01-26T20:27:00.005-05:002012-01-26T20:54:14.576-05:00Alexander Kluge: 4 Films<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-u_HKD5gF40jpNVRUeGx7Sg9sF9nY-kAHTf1PAE6I8rxzjGYFQBNoLgopiGlRFFmNuZrNkKYPTOfoEvI77BuN3u8sfr5JwI6rpyp1wx10viAHdpkvses6c0mZ6nx3mjfU7ma38zykguMh/s1600/kluge_large.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 246px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-u_HKD5gF40jpNVRUeGx7Sg9sF9nY-kAHTf1PAE6I8rxzjGYFQBNoLgopiGlRFFmNuZrNkKYPTOfoEvI77BuN3u8sfr5JwI6rpyp1wx10viAHdpkvses6c0mZ6nx3mjfU7ma38zykguMh/s320/kluge_large.jpg" alt="" id="BLOGGER_PHOTO_ID_5702123154846561218" border="0" /></a><br /><br /><span class="drop"></span><span style=" font-weight: bold;font-family:arial;" >Co-sponsored by Cornell Cinema, the Institute for German Cultural Studies, and PG Kino</span><br style=" font-weight: bold;font-family:arial;"><br style=" font-weight: bold;font-family:arial;"><span style=" font-weight: bold;font-family:arial;" >Designated Tuesdays at 7:15 pm in the Schwartz Center Film Forum</span><br style=" font-weight: bold;font-family:arial;"><br style=" font-weight: bold;font-family:arial;"><span style=" font-weight: bold;font-family:arial;" >Feb 7 <span style="font-style: italic;">Abschied von gestern (Yesterday Girl)</span>, 1966</span> (1 hour 30 Mins)<br style=" font-weight: bold;font-family:arial;"><span style=" font-weight: bold;font-family:arial;" >March 13 <span style="font-style: italic;">Artisten in der Zirkuskuppel, ratlos (Artists in the Ring, Perplexed)</span>, 1968</span> (1 hour 43 mins)<br style=" font-weight: bold;font-family:arial;"><span style=" font-weight: bold;font-family:arial;" >Apr 3 <span style="font-style: italic;">Die Macht der </span><span style="font-style: italic;font-size:100%;" >Gef</span></span><span style="font-style: italic; font-weight: bold;font-family:Arial, sans-serif;" >ü</span><span style=" font-weight: bold;font-family:arial;" ><span style="font-size:100%;"><span style="font-style: italic;">hle (The Power of Emotion)</span>,</span> 1983</span> (1 hour 55 mins)<br style=" font-weight: bold;font-family:arial;"><span style="font-weight: bold;font-family:arial;" >Apr 24<span style="font-style: italic;"> Deutschland im Herbst (Germany in Autumn)</span>, 1978 </span><span style="font-family:arial;">(</span>2 hours 3 mins)<br style="font-family: arial;"><br /><br />Before Werner Herzog or Rainer Werner Fassbinder there was Alexander Kluge. One of the first auteurs of the New German Cinema, Kluge was a guiding light for a generation of filmmakers intent on challenging post-war Germany’s “Papa’s Cinema” in the name of rebellion, critique and confrontation with the nation’s traumatic past and tumultuous present. Kluge began his career as a novelist and lawyer, but following the advice of philosopher and critic Theodor Adorno soon started working in the film industry, acting as an assistant for Fritz Lang during the legendary director’s return to German filmmaking. Signing the landmark Oberhausen Manifesto in 1962, Kluge joined his filmmaking peers in support of short films and features capable of critically educating viewers in a politicized era marked by Cold War politics, student rebellion and intergenerational conflict. Starting in the mid-sixties Kluge would make a string of thoughtful masterpieces vitally linked to his times as well as to his parallel career as an author and philosopher, with groundbreaking works on the importance of art forms like cinema for producing new public spheres. Ever the engaged, timely critic, Kluge has most recently made two ambitious films exploring the global financial crisis. Looking back on his career and the greater achievements of New German Cinema, Kluge remarked, “We felt responsible for drawing society's attention to things. Precisely because we were not powerful we had to grasp everything.”<br /><br />This winter Cornell Cinema is pleased to present four of Alexander Kluge’s greatest films. His first full-length feature, <strong>Yesterday Girl</strong> (1966), casts the director’s sister as a young East German crossing the Berlin Wall in search of career opportunities, drifting from job to job on the rough fringes of her new home. Hailed as a breakthrough in post-war German cinema, Kluge adapts the style and concerns of New Wave filmmakers like Jean-Luc Godard for a powerful and poetic critique of West German life. His next film, <strong>Artists in the Ring: Perplexed</strong> (1968), would win the Golden Bear at Venice in the heady year of 1968, sparking controversy and intense debate. A collage of its times, Artists follows a circus as it transforms from entertaining spectacle into revolutionary experiment, with Kluge exploring the possibility for popular culture to challenge audiences to think critically about their country’s past and future. Organized and overseen by Kluge, <strong>Germany in Autumn</strong> (1978) is a landmark project, a compendium of short works by the leading lights of New German Cinema, with segments directed by Rainer Werner Fassbinder and Volker Schlöndorff. Examining the political terrorism of the Red Army Faction as it impacted West German politics, media and everyday life in the mid-seventies, Autumn uses a blend of documentary portraits and fictional tales to construct a searing portrait of a violent, fearful turning point in German history. One of Kluge’s most philosophically probing films, <strong>The Power of Emotions</strong> (1983) is a moving and evocative examination of the fleeting, immaterial emotions that seem to rise out of a hum-drum world of objects, things and commodities. A collage of stories, documentary footage and narrated film essays, Emotions is comprised of chapters detailing, among other intriguing topics, the justice system, the history of opera and the industrial revolution.<br /><br />The series is cosponsored with PG Kino and the Institute for German Cultural Studies, and is being offered in conjunction with Professor Leslie Adelson’s German Studies graduate seminar on Kluge as a literary author. The screenings are offered for free and will be introduced by Brían Hanrahan, Faculty Fellow in the Dept. of Theatre, Film & Dance, who will also lead post-screening discussions.<br /><div style="text-align: right;">(Cornell Cinema)<br /></div><br />For more information please visit <a href="http://cinema.cornell.edu/">the Cornell Cinema website</a>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-15049891876717738142011-11-21T13:50:00.005-05:002011-11-21T13:57:58.791-05:00Nov 22: Das weisse Band (The White Ribbon)<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8ARsN0-_bHfWnZXq-RkPsJvjEVVtJrh27jcxKkHzpKcL9EJa2JbS1sfwhp-o6JzvwNFT3v2opDE7EledgXH6E2dJCg6PsV1xUJYHk_s0wBa6StwRaTkWXL68V5a4lLnRl2AUUbWqgz2yQ/s1600/wr.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 181px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8ARsN0-_bHfWnZXq-RkPsJvjEVVtJrh27jcxKkHzpKcL9EJa2JbS1sfwhp-o6JzvwNFT3v2opDE7EledgXH6E2dJCg6PsV1xUJYHk_s0wBa6StwRaTkWXL68V5a4lLnRl2AUUbWqgz2yQ/s320/wr.jpg" alt="" id="BLOGGER_PHOTO_ID_5677524874171278498" border="0" /></a><br /></div><div style="font-weight: bold; text-align: center;" class="fbInfoIcon fbDescriptionIcon"><i class="img sp_5aclul sx_51af41" title="Description"><u><br /></u></i>Dir. Michael Haneke (Germany, 2009)<br />144 mins. German with English subtitles<br /></div><div style="text-align: center;"><span style="font-weight: bold;">Tuesday, November 22, 8pm</span><br /></div><div style="text-align: center;"><span style="font-weight: bold;">Seminar Room of Alice Cook House (West Campus)</span><br /></div><div style="text-align: center;"><span style="font-weight: bold;">Free and open to the public</span><br /></div><br />Strange accidents occur in a small village in the north of Germany during the years just before World War I. Gradually the events seem to take on the character of ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-15815169921354593842011-11-14T18:50:00.004-05:002011-11-21T13:59:04.743-05:00Nov 15: Caché (Hidden)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFwmYdiEXmo-3d1vCh7MAUigJ6wazXOOjsPbDXtVcQJGcQHUYF0rmHpVTl3dpaihIc6mhKHoT_Xg34jbIp1OCsoHz4k4gaIjc3gjeeHausoALeLFKS6CTmfgxOhhCwCuPQ_djQ-yJwLfgR/s1600/cache.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 200px; height: 130px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFwmYdiEXmo-3d1vCh7MAUigJ6wazXOOjsPbDXtVcQJGcQHUYF0rmHpVTl3dpaihIc6mhKHoT_Xg34jbIp1OCsoHz4k4gaIjc3gjeeHausoALeLFKS6CTmfgxOhhCwCuPQ_djQ-yJwLfgR/s320/cache.jpg" alt="" id="BLOGGER_PHOTO_ID_5675003255326332786" border="0" /></a><br /><div style="text-align: center;"><b>Dir. Michael Haneke (France 2005)</b><br /><b style="font-family: georgia,serif;">117 mins, French with English subtitles</b><br /><b>Seminar Room of the </b><b>Alice Cook House (West Campus)</b><br /><b>Tuesday November 15, 8pm </b><br /></div><br /><p style="margin-bottom: 0cm; font-family: georgia,serif;" align="JUSTIFY">George, host of a TV literary review, receives packages with videos of himself and his family shot secretly from the street, and obscure drawings. He has no idea who may be sending them. George feels a sense of menace, but since no direct threat has been made, the police refuse to help...</p>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-25959911855131465432011-10-24T13:45:00.007-04:002012-01-26T20:58:49.229-05:00Oct 28: Das Schloss (The Castle)<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBgFG_ard2BOPIMtQc_aTJ9QtFVudE3jgKoJUL2bqjI_YdyzvZwQnORDTvR96E8ZdHIQKpSPNUw1cjQG6nustKFQSGZiaXZf3zMc1SbmyjhZ6GmeZclmHCnECM79CjoM1xSMG7LqMNYKsy/s1600/castle.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 168px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBgFG_ard2BOPIMtQc_aTJ9QtFVudE3jgKoJUL2bqjI_YdyzvZwQnORDTvR96E8ZdHIQKpSPNUw1cjQG6nustKFQSGZiaXZf3zMc1SbmyjhZ6GmeZclmHCnECM79CjoM1xSMG7LqMNYKsy/s320/castle.jpg" alt="" id="BLOGGER_PHOTO_ID_5702125358393768770" border="0" /></a><br 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priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"><w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"><w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"><w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"><w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"><w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"><w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"><w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"><w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"><w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"><w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"><w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"><w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"><w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"><w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"><w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"><w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"><w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"><w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"><w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"><w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;" align="center">PG KINO presents:<br /></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;" align="center">Tuesday, October 25 at 8:00pm</p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;" align="center">Alice Cook House, Seminar Room</p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center; line-height: normal;" align="center">as part of the Michael Haneke series</p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center; line-height: normal;" align="center">Dir. Michael Haneke (1997). Running Time: 123 min. English subtitles. Free and open to the public.</p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center; line-height: normal;" align="center"><br /></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: right; line-height: normal;" align="right">“Haneke's screen adaptation is his weakest film to date. It feels rushed and hectic, a far cry from both his first film and the texture of Kafka's original novel. Ultimately, it adds little to our understanding of either Kafka or Haneke.” (A. J. Horton, Central European Review)<br /></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: right; line-height: normal;" align="right">How cold does Michael Haneke have to be for a punitively faithful Kafka adaptation to qualify as one of his most humane works? (F. Croce, Slant Magazine)</p></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:latentstyles></xml></m:defjc></m:rmargin></m:lmargin></m:dispdef></m:smallfrac></m:brkbinsub></m:brkbin></m:mathfont></m:mathpr></w:cachedcolbalance></w:word11kerningpairs></w:dontvertalignintxbx></w:dontbreakconstrainedforcedtables></w:dontvertaligncellwithsp></w:splitpgbreakandparamark></w:dontgrowautofit></w:useasianbreakrules></w:wraptextwithpunct></w:snaptogridincell></w:breakwrappedtables></w:compatibility></w:donotpromoteqf></w:validateagainstschemas></w:punctuationkerning></w:trackformatting></w:trackmoves></w:worddocument></xml>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-12593436754942132972011-04-26T09:25:00.005-04:002011-04-26T09:42:01.200-04:00April 27: MauerhasePandaemonium Germanicum presents the PG Kino Spring 2011 series, "Berlin Films II: Love, Life, and Murder” <br /><br />MAUERHASE (Rabbit à la Berlin)<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOcFFeSHXbRI33Myb8LO00tQzwFswGsyYXm7HKn5byyDk2NuLBUlrkB8m0SdFfStrkXEzvwUILUE_Bjd6b_My1b0hjvbd63gJQQmEM2LRwoIupQa00RBjRsS0mygN1VS-DfKxfP59CLmSY/s1600/mauerhase.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 181px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOcFFeSHXbRI33Myb8LO00tQzwFswGsyYXm7HKn5byyDk2NuLBUlrkB8m0SdFfStrkXEzvwUILUE_Bjd6b_My1b0hjvbd63gJQQmEM2LRwoIupQa00RBjRsS0mygN1VS-DfKxfP59CLmSY/s320/mauerhase.jpg" alt="" id="BLOGGER_PHOTO_ID_5599885996537563554" border="0" /></a><span class="text_exposed_show"><br />dirs. Bartek Konopka, Piotr Rosołowski<br /><span class="text_exposed_show">2009, 49 min. In German (no subtitles)<br /><br />“The cold war has been examined from many different perspectives</span><span class="text_exposed_show">. Only now, though, are we getting the rabbit's point of view on the division of Europe in the postwar years. Bartek Konopka's Oscar-nominated documentary tells the largely ignored story of the thousands of wild rabbits who thrived in the so-called death zone of the Berlin Wall – the strip of no man's land on the eastern side of the wall.<br /><br />Rabbit à la Berlin isn't exactly a natural history documentary. It is intended more as an allegorical study of a totalitarian system. The rabbits are used as a device to burrow into recent east European social history. Just as the rabbits were expelled from their makeshift Eden when the Berlin wall came down, many in the Soviet bloc had to adjust to the strange new post-communist world.”<br /><br />-The Guardian<br /><br />Preceded by an introduction and followed by an open discussion<br />Free and open to the public<br /><br />(photo from http://cranesareflying1.blogspot.com/2011/03/rabbit-la-berlin.html)<br /></span></span>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-85661620098439141222011-04-10T22:37:00.004-04:002011-04-10T22:41:13.034-04:00April 13: Sommer vorm Balkon<div class="description summary">Pandaemonium Germanicum Presents:<br /><br />The fifth film in the Spring 2011 PG Kino series, <span style="font-style: italic;">Berlin II: Love, Life, and Murder</span>:<br /><br /><span style="font-weight: bold;">Sommer vorm Balkon</span><br />(Summer in Berlin)<br /><br /><span style="font-weight: bold;">Wednesday, April 13, 8PM<br />103 Rockefeller Hall</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRZ0W4XbueXdw4bVJgbw9MFdkP0gmUC7EBton8X3SjGSF8mLdk85hjLK9VXYLyd9omsbADdwWIB-vnrFnG6CBxLAiZwV6p5iAPr7KfAblaNDDu1VT6G_Ita0jgFHs0rzkdu4666L4VF-SQ/s1600/PGKino+SVB.png"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 235px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRZ0W4XbueXdw4bVJgbw9MFdkP0gmUC7EBton8X3SjGSF8mLdk85hjLK9VXYLyd9omsbADdwWIB-vnrFnG6CBxLAiZwV6p5iAPr7KfAblaNDDu1VT6G_Ita0jgFHs0rzkdu4666L4VF-SQ/s320/PGKino+SVB.png" alt="" id="BLOGGER_PHOTO_ID_5594149826216320786" border="0" /></a><br />Germany 2005<br />D: Andreas Dresen<br />107 min., German with English subtitles<br /><br />Hot summer.<br />Nike has a balcony, Katrin has a son, Ronald drives a truck, Tina's a waitress, Oskar and Helene are old and alone.<br />At the beginning, middle, or end of their lives--they all ask the same question:<br />Can love last through the seasons? Or, is it something affecting the brain that just comes and goes?<span style="font-weight: bold;"><br /></span><br />Free and open to the public.<br />Preceded by an introduction and followed by an open discussion.<br /></div>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-77947886912465328092011-03-28T20:22:00.009-04:002011-03-28T20:34:22.684-04:00March 30: Herr Lehmann<span style=";font-family:georgia;font-size:100%;" >Pandaemonium Germanicum presents:<br /><br /><span style="font-style: italic; font-weight: bold;">Herr Lehmann</span><br /><br />Germany, 2003<br />Dir. Leander Haußmann<br />105 min. • German with English subtitles<br /><br />Wednesday, March 30. 8PM<br />103 Rockefeller Hall.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6ggT-3YSnSY5e37W8d9bZiG-UCAZ9MMkQQJb9CghOkXAvkCPs49EWzEPmSFpr0cB1IT_q0g4vofl_MHTVNJywwpk4DlCBgmyLwH2-fBn6EBRYcVcZ-I1_Y1bITy2nYO06M6rnIv7U3TIT/s1600/Lehmannpic2.png"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 238px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6ggT-3YSnSY5e37W8d9bZiG-UCAZ9MMkQQJb9CghOkXAvkCPs49EWzEPmSFpr0cB1IT_q0g4vofl_MHTVNJywwpk4DlCBgmyLwH2-fBn6EBRYcVcZ-I1_Y1bITy2nYO06M6rnIv7U3TIT/s320/Lehmannpic2.png" alt="" id="BLOGGER_PHOTO_ID_5589292944520726738" border="0" /></a><br /><br />Fourth in the PG Kino Spring 2011 series, <span style="font-style: italic;">Berlin Films II: Love, Life, and Murder</span><br />Free and open to the public.<br /><span style=";font-family:georgia;font-size:100%;" >Preceded by an introduction and followed by an open discussion.<br /><br /></span></span> <style>@font-face { font-family: "Arial Unicode MS"; }@font-face { font-family: "Big Caslon"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style> <p class="MsoNormal" style="font-family:georgia;"><span style="font-size:100%;">"In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of students, artists, bohemians and barflys had flourished among crumbling buildings. Part of that microcosm is barkeeper Frank, semi-formally called 'Herr Lehmann' by friends and patrons. He hangs out drinking, sports utter disregard for anything beyond SO 36 and lazily pursues an affair with cook Katrin. His lifestyle is gradually disturbed, when his parents show up for a visit, things go awry with Katrin and his best friend Karl starts to act strange. Meanwhile, political turmoil mounts on the other side of the Wall."</span></p> <p class="MsoNormal" style="font-family:georgia;"><span style="font-size:100%;">(<span style="">Written by Armin Ortmann; from imdb.com)</span></span></p><p class="MsoNormal" style="font-family:georgia;"><span style="font-size:100%;"><br /></span></p> <span style=";font-family:georgia;font-size:100%;" ><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2oTrIxGZ4f8KH-BXVJUYYjBSmmI0eEzpHSFmCr5kXU5ZffJ22Sz3hyphenhyphengbcrX2mjt3NOBQ910jR00MC-q2p-m5a8rgNHkl48advVuPXEjEDKa5q8O6KfxfRgEGLs68Wk0l7w3PlUWV4-JgW/s1600/Lehmannpics.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 91px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2oTrIxGZ4f8KH-BXVJUYYjBSmmI0eEzpHSFmCr5kXU5ZffJ22Sz3hyphenhyphengbcrX2mjt3NOBQ910jR00MC-q2p-m5a8rgNHkl48advVuPXEjEDKa5q8O6KfxfRgEGLs68Wk0l7w3PlUWV4-JgW/s400/Lehmannpics.jpg" alt="" id="BLOGGER_PHOTO_ID_5589292317426434466" border="0" /></a></span>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-56951792743587727412011-03-07T19:24:00.004-05:002011-03-07T19:33:24.048-05:00March 9: Emil und die Detektive<span style="font-size:100%;"><span style="font-family: georgia;">Pandaemonium Germanicum presents the next film in its Spring 2011 series, </span></span><span style="font-style: italic; font-family: georgia;font-size:100%;" >Berlin Films II: Love, Life, and Murder</span><span style="font-size:100%;"><span style="font-family: georgia;">:</span><br /><br /></span><span style="font-weight: bold; font-family: georgia;font-size:100%;" >Emil und die Detektive</span><span style="font-size:100%;"><br /><span style="font-family: georgia;">(Emil and the Detectives)</span><br /><br /><a style="font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJx21gtK89MMEEQz3eAB4oIzuXnHYDWA43lw4-7OqEBU7T_wITNBEGbpuhvcv71wgNd16yZjb_lmXE9J1OiC1TZ5peChvi6Lvw5RVj0W3b_IbcR0sNDRh6t8j6CTKYqBkvQ9x15_EpB09a/s1600/Emil2.png"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 206px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJx21gtK89MMEEQz3eAB4oIzuXnHYDWA43lw4-7OqEBU7T_wITNBEGbpuhvcv71wgNd16yZjb_lmXE9J1OiC1TZ5peChvi6Lvw5RVj0W3b_IbcR0sNDRh6t8j6CTKYqBkvQ9x15_EpB09a/s320/Emil2.png" alt="" id="BLOGGER_PHOTO_ID_5581500474069369426" border="0" /></a></span><span style="font-size:100%;"><br /><br /><a style="font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw6RefUAE7DxTJ0UlNFsu3hIBcNjC3T-A0jZ85q-lHmaLZ_w-M9uABcCAw8Ydn9kr3RStXKultr2ZFMaNS3JuBF_Y5KoaOl4tV3YnI8emGyb06kh9J6qcZvdA1_TIiYzsG6adF7POi-s0l/s1600/Emil54.jpg"><br /></a><br /><span style="font-family: georgia;">Director: Robert Stemmle</span><br /><span style="font-family: georgia;">Screenwriter: Billy Wilder</span><br /><span style="font-family: georgia;">1954 • 91 min.</span><br /></span><span style="font-family: georgia;font-size:100%;" >German with English Subtitles<br /></span><span style="font-family: georgia;font-size:100%;" ><br /></span> <p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; text-align: justify; direction: ltr; unicode-bidi: embed; font-family: georgia;"><span style="font-size:100%;"><span style=";color:black;" >"Emil is sent from the country to Berlin to bring his grandmother 140 Marks that his mother has been saving. But on the train, he is tricked and poisoned by a thief who steals all his money. Once he arrives in Berlin, he follows the bad guy and makes friends with another young boy in Berlin, who calls together all the children in the neighborhood to join in. They work out a plan, observe the thief night and day and finally lead him straight into the arms of the police. It turns out that the thief is in fact a long sought after bank robber, who has a reward of 1000 Marks being offered for his capture, which Emil proudly takes home to his mother."</span></span></p><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; text-align: justify; direction: ltr; unicode-bidi: embed; font-weight: bold; font-family: georgia;"><span style="font-size:100%;"><br /></span></p><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; text-align: justify; direction: ltr; unicode-bidi: embed; font-weight: bold; font-family: georgia;"><span style="font-size:100%;"><span style=";color:black;" >Wednesday, March 9, 8PM</span></span></p><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; text-align: justify; direction: ltr; unicode-bidi: embed; font-weight: bold; font-family: georgia;"><span style="font-size:100%;"><span style=";color:black;" >Rockefeller Hall 103</span></span></p><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; text-align: justify; direction: ltr; unicode-bidi: embed; font-family: georgia;"><span style="font-size:100%;"><br /></span></p><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; text-align: justify; direction: ltr; unicode-bidi: embed; font-family: georgia;"><span style="font-size:100%;">Free and open to the public.</span></p><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; text-align: justify; direction: ltr; unicode-bidi: embed; font-family: georgia;"><span style="font-size:100%;">Preceded by an introduction and followed by an open discussion.</span></p><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; text-align: justify; direction: ltr; unicode-bidi: embed; font-family: georgia;"><span style="font-size:100%;"><br /></span></p><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; text-align: justify; direction: ltr; unicode-bidi: embed; font-family: georgia;"> </p><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; direction: ltr; unicode-bidi: embed; text-align: left; font-family: georgia;font-family:georgia;"><span style="font-size:100%;"><span style=";color:black;" >Image from www.mfa-film.de</span></span></p><div style="text-align: left; font-family: georgia;"> </div><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; direction: ltr; unicode-bidi: embed; text-align: left; font-family: georgia;font-family:georgia;"><span style="font-size:100%;"><span style=";color:black;" >Summary from </span><span style=";color:black;" >www.german-films.de</span></span><span style=";font-size:100%;color:black;" > </span></p><div style="text-align: left; font-family: georgia;"> </div><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; direction: ltr; unicode-bidi: embed; text-align: left; font-family: georgia;font-family:georgia;"><span style="font-size:100%;"><br /></span></p><p style="margin-top: 0pt; margin-bottom: 0pt; margin-left: 0in; direction: ltr; unicode-bidi: embed; text-align: left; font-family: georgia;font-family:georgia;"><span style="font-size:100%;"><span style=";color:black;" ><br /></span></span><span style=";font-size:100%;color:black;" > </span></p><span style="font-size:100%;"><br /></span>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-7134654876932130232011-02-21T15:28:00.009-05:002011-02-21T15:37:21.939-05:00February 23: M<span style=";font-family:verdana;font-size:85%;" >Pandaemonium Germanicum continues its Spring 2011 series, </span><span style="font-style: italic;font-family:verdana;font-size:85%;" >Berlin Films: Love, Life, and Murder.</span><span style=";font-family:verdana;font-size:85%;" ><br /><br /></span> <style>@font-face { font-family: "Cambria"; }@font-face { font-family: "Cracked"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;"><i style=""><span style="">M</span></i></span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;"><i style=""><span style=""><br /></span></i></span><span style="font-size:85%;"> </span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;">Directed by Fritz Lang (1931)</span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;">Starring Peter Lorre</span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;">German with English subtitles</span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;">117 minutes</span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;"><br /></span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;"><b style=""><span style="">Wednesday, February 23, 8 PM</span></b></span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;"><b style=""><span style="">Rockefeller Hall 103</span></b></span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;"><b style=""><span style=""><br /></span></b></span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;">Free and open to the public.</span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;">Preceded by an introduction and followed by an open discussion.</span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;"><br /></span></p><span style=";font-family:verdana;font-size:85%;" ><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlJ9aYa7O9SSnIzEbSfaEgraoa9ZNfCLWSf6hvSHCTnlc0dx3MQW09cx2ZQBHgkYHBQM1t8IWQggHQEz34J6FgSG12tatTbx_EyrfLDOmjM0mk4ZJqyAA5u504epDCRf0BgABYz5Gtj5o9/s1600/peter-lorre1.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 192px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlJ9aYa7O9SSnIzEbSfaEgraoa9ZNfCLWSf6hvSHCTnlc0dx3MQW09cx2ZQBHgkYHBQM1t8IWQggHQEz34J6FgSG12tatTbx_EyrfLDOmjM0mk4ZJqyAA5u504epDCRf0BgABYz5Gtj5o9/s320/peter-lorre1.jpg" alt="" id="BLOGGER_PHOTO_ID_5576242999613029874" border="0" /></a></span> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;"> </span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;">From <i style="">IMDB</i>: A psychotic child murderer stalks a city, and despite an exhaustive investigation fueled by public hysteria and outcry, the police have been unable to find him. But the police crackdown does have one side effect: it makes it nearly impossible for the organized criminal underground to operate. So they decide that the only way to get the police off their backs is to catch the murderer themselves. Besides, he is giving them a bad name…</span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:85%;"><br /></span></p><span style=";font-family:georgia;font-size:85%;" ><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmQ0swMQfrX08z9HUo2BbfBpgmQjvHzwSrevrAF9XD6Z3jFV0TcPz4ovUVbpGA1-FEZ-nmCHeLw-KlZ36Y74iEy1ye8uhyphenhyphen2mVWAvcYBEKjbFOMGKpF4ngJ2NMmofmI08B-S7ErbEQC0xza/s1600/M.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 264px; height: 191px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmQ0swMQfrX08z9HUo2BbfBpgmQjvHzwSrevrAF9XD6Z3jFV0TcPz4ovUVbpGA1-FEZ-nmCHeLw-KlZ36Y74iEy1ye8uhyphenhyphen2mVWAvcYBEKjbFOMGKpF4ngJ2NMmofmI08B-S7ErbEQC0xza/s320/M.jpg" alt="" id="BLOGGER_PHOTO_ID_5576243872292786114" border="0" /></a></span>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-26761180207245141392011-02-12T12:55:00.005-05:002011-02-12T13:05:20.613-05:00FEIERN - Film ScreeningOf interest for Berlinophiles:<br /><br />Tuesday, February 15 8PM<br />Rockefeller Hall 132<br /><br />"'Feiern' is a new feature-length documentary about the techno subculture in the city that never comes down: Berlin. Featuring interviews with DJ luminaries of the city's clubland, as well as partygoers and party victims, the film promises to show the highs and the lows of partying for seventy-two hours straight. "<br /><br />FREE ADMISSION<br /><br />Sponsored by the Cornell University German Department<br /><br />facebook event: <a href="http://www.facebook.com/#%21/event.php?eid=188618347827594">http://www.facebook.com/#!/event.php?eid=188618347827594</a><br /><br />Related event: FEIERN - Dance Party<br /><br />Friday, February 18 9PM<br />Willard Straight Hall, Memorial Room<br /><br />"Come celebrate Germany's role in the international phenomenon known as techno clubbing. Special introduction at 9PM featuring a short history of German electronic music."<br /><br />FREE ADMISSION<br /><br />Sponsored by the Cornell University German Department<br /><br />facebook event: <a href="http://www.facebook.com/#%21/event.php?eid=200874009922632">http://www.facebook.com/#!/event.php?eid=200874009922632</a>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-83948492525599046052011-02-08T12:20:00.008-05:002011-02-08T13:25:07.479-05:00February 9: Die Polizistin<span style="font-size:100%;">Pandaemonium Germ</span><span style="font-size:100%;">anicum presents the first film in its PG Kino Spring 2011 series, "Berlin Films: Love, Life</span><span style="font-size:100%;">, and Murder."</span><br /><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-LvEg6g0YIWP-uiOgoDIydCbeirAS25e7Bm-bqh__HRNdqNrHJunu3ku91YqDd9YaD6O9Z_aoiNr6__5DCf8SD4qf3J31dOLwEGrqTtiz5x-ozxSDHARt94vfeeCSkSA52y7OnY3sDIFU/s1600/polizistin.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-LvEg6g0YIWP-uiOgoDIydCbeirAS25e7Bm-bqh__HRNdqNrHJunu3ku91YqDd9YaD6O9Z_aoiNr6__5DCf8SD4qf3J31dOLwEGrqTtiz5x-ozxSDHARt94vfeeCSkSA52y7OnY3sDIFU/s320/polizistin.jpg" alt="" id="BLOGGER_PHOTO_ID_5571370238994978930" border="0" /></a></span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;"> </span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;"><i><span style="">Die Polizistin</span></i></span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;"> </span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;">(<i>Policewoman</i>)</span></p><p class="MsoNormal" style="font-family:verdana;"> <span style="font-size:100%;">Wednesday, February 9, 8PM</span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;">Rockefeller Hall 103</span></p><p class="MsoNormal" style="text-align: justify;font-family:verdana;"> </p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;"> </span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;">Dir. Andreas Dresen</span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;">Starring: Gabriela Maria Schmeide, Axel P</span><span style="font-size:100%;">rah</span><span style="font-size:100%;">l, Paul Grubba</span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;"> </span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;">2000</span><span style="font-size:100%;"><b><span lang="JA">・</span></b></span><span style="font-size:100%;">98 min.</span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;">German with English Subtitles</span></p> <p class="MsoNormal" face="verdana" style="text-align: justify;"><span style="font-size:100%;">Rookie policewoman Anne is sent to work in the dreary eastern German suburb of Rostock, where she's paired with cynical veteran Mike. Feeling lost in the daily </span><span style="font-size:100%;">routine of handling petty crimes and offenses, Anne decides to take a personal interest in young Benny, the son of a criminal.<br /></span></p><p class="MsoNormal" style="text-align: justify; font-family: verdana;"> </p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;"> </span></p> <p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;">Free and open to the public</span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;">Preceded by a presentation and followed by an open discussion.</span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;">Summary from Film.com</span></p><p class="MsoNormal" style="font-family:verdana;"><span style="font-size:100%;">Image from www.cinema.de<br /></span></p>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-85834410220135117592010-11-28T00:49:00.007-05:002010-11-28T01:01:19.768-05:00November 30: Der Himmel über BerlinPG Kino presents the final film in its Fall 2010 series, <span style="font-style: italic;">Berlin Films I: Streets and City Spaces</span>:<br /><br /><span style="font-weight: bold; font-style: italic;">Der Himmel über Berlin</span><br />(Wings of Desire)<br />Wim Wenders • Germany, 1987<br />127 minutes<br />German with English Subtitles<br /><br />The sky over Wenders' war-scarred Berlin is full of gentle, trenchcoated angels who listen to the tortured thoughts of mortals and try to comfort them. One, Damiel, wishes to become mortal after falling in love with a beautiful trapeze artist, Marion. Peter Falk, as himself, assists in the transformation by explaining the simple joys of a human experience, such as the sublime combination of coffee and cigarettes.<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-gsKLAEUA3tJYdJ19dkW_MA8B8RvJYrB7Tuog9-ttSJVWYdgGtJsl1m6c5cuSX8zFgTUkTMM4kSR02ddb5-2kVzIqsBLtzH6hqmFA2osF2Fr1RKnyApsD_PS3MHSehHE6wbhvZKEanxwm/s1600/himmel.jpg"><br /></a><br />Rainer Maria Rilke's poetry partially inspired the movie; Wenders claimed angels seemed to dwell in Rilke's poetry. The director also employed Peter Handke, who wrote much of the dialogue, the poetic<br />narrations, and the film's recurring poem "Song of Childhood."<br /><br />(adapted from Wikipedia and www.wim-wenders.com)<br /><br /><span style="font-weight: bold;">Tuesday, Nov 30, 8 pm</span> <span style="font-weight: bold;">Kaufmann Auditorium</span><br /><span style="font-weight: bold;">Preceded by an introduction and followed by an open discussion</span> <span style="font-weight: bold;">Free and open to the public<br /></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUt0v116qw5AjMvmwOlXU-t6s_zDD4IOJTvvif1rWNILev3txmYgpEAqSh7LJz1Miq0vhOEzTltTp7xPPhoIV6eJnITRvVI0OBzkZfY_E1jqXC-tmVs_qtEGRwF5Md0xUBccYG5AL2lXR4/s1600/himmel.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 226px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUt0v116qw5AjMvmwOlXU-t6s_zDD4IOJTvvif1rWNILev3txmYgpEAqSh7LJz1Miq0vhOEzTltTp7xPPhoIV6eJnITRvVI0OBzkZfY_E1jqXC-tmVs_qtEGRwF5Md0xUBccYG5AL2lXR4/s320/himmel.jpg" alt="" id="BLOGGER_PHOTO_ID_5544475214867314498" border="0" /></a>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-75600742758913163822010-11-14T22:59:00.003-05:002010-11-14T23:03:43.531-05:00November 16: Berlin: Sinfonie der GroßstadtPandaemonium Germanicum Presents:<br /><br />Berlin: Sinfonie der Großstadt (1927)<br />(Berlin: Symphony of a Great City)<br />Dir. Walter Ruttmann<br />65 min.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYUxRlzmaWyYFbj26jnoJX3nhd5TU8LuuvfgbLX2EJVQqrLjjyhlsDeB0LGUanQ8wl_zJIw1yklmQ6ZbGLvo1GcPRY1XbrIAfFn4EFBZL04uBBsC_JlX-FqLSGebB0_drwdbfMY-WLPyMB/s1600/Bln+Trains.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 236px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYUxRlzmaWyYFbj26jnoJX3nhd5TU8LuuvfgbLX2EJVQqrLjjyhlsDeB0LGUanQ8wl_zJIw1yklmQ6ZbGLvo1GcPRY1XbrIAfFn4EFBZL04uBBsC_JlX-FqLSGebB0_drwdbfMY-WLPyMB/s320/Bln+Trains.jpg" alt="" id="BLOGGER_PHOTO_ID_5539622164245637970" border="0" /></a><br /><br />"Berlin [...] is the film's true protagonist, a vibrant, pulsating, yet organic totality whose every component—animate or inanimate—is mediated and defined by the periodicity of the whole. The film portrays a day in the life of the city, beginning with panoramic shots of the sleeping metropolis as dawn breaks and concluding with a late-night fireworks display. Compressed between these diurnal poles is a brilliantly edited optical phantasmagoria of life in Berlin." (B. Fulks)<br /><br /><span style="font-weight:bold;">Tuesday, November 16, 8PM<br />Lewis Auditorium, Goldwin Smith Hall<br /></span><br />FREE and open to the public<br />Preceded by an introduction and followed by an open discussionPG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-2290937991026625192010-10-25T01:32:00.007-04:002010-10-25T01:48:53.150-04:00October 26: Kuhle Wampe<div style="text-align: left;">The PG Kino Fall 2010 series, <span style="font-style: italic;">Berlin Films I: Streets and City Spaces</span>, continues with <span style="font-style: italic;"><span style="font-weight: bold;">Kuhle Wampe oder wem gehört die Welt? </span></span>(<span style="font-weight: bold;"><span style="font-style: italic;">Kuhle Wampe, or Who Owns the World?</span></span>)<br /><br />Tuesday, October 26, 8PM<br />Kaufmann Auditorium, Goldwin Smith Hall<br /><br />Free and open to the public.<br />Preceded by a short introduction and followed by an open discussion.<br /><br /><span style="font-weight: bold;">Kuhle Wampe oder wem gehört die Welt? (Kuhle Wampe, or Who Owns the World?)</span><br /><br />Dir. Slatan Dudow (Germany, 1932) 69 min. German with English Subtitles.<br /><br /><div style="text-align: justify;">"This Weimar Germany film classic uses an avant-garde, fragmented narrative to tell the story of a working-class family in Berlin in 1931. Survival is difficult, with massive unemployment in the wake of the Great Depression. After Anni’s brother commits suicide in despair, her family finds itself forced to move to Kuhle Wampe, a lakeside camp on the outskirts of Berlin, now home to increasing numbers of unemployed. When Anni’s relationship with Franz ends, she moves back to Berlin and gets involved in the workers’ youth movement. Already censored in March 1932, the film was then banned by the Nazis in 1933 for having “communist tendencies.”<br />Director Slatan Dudow brought together an exceptionally renowned set of artists, including co-author Bertolt Brecht, cameraman Günther Krampf (Nosferatu), composer Hanns Eisler, noted workers’ movement balladeer Ernst Busch and the actress Hertha Thiele (Girls in Uniform)." <span style="font-style: italic;">-Synopsis from the DEFA Film Library Catalog, www.defafilmlibrary.com</span><br /></div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrjjjaJOmkTCbfWFZMUiC3Js-NUH4GBR9Emk-jos0-0J5UpG7dwIfCCn7-JE7cTZwDtb6agFdv3eMIUTDMdhLMmoMGKPpBZdXOG9Ppj0nUVvsJbqR_Rev7RANjXqyg-PQMz1ilr8EJZSaV/s1600/Kuhle_Wampe_Poster.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 180px; height: 254px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrjjjaJOmkTCbfWFZMUiC3Js-NUH4GBR9Emk-jos0-0J5UpG7dwIfCCn7-JE7cTZwDtb6agFdv3eMIUTDMdhLMmoMGKPpBZdXOG9Ppj0nUVvsJbqR_Rev7RANjXqyg-PQMz1ilr8EJZSaV/s320/Kuhle_Wampe_Poster.jpg" alt="" id="BLOGGER_PHOTO_ID_5531855803695272098" border="0" /></a><br /><span style="font-style: italic;">"One of the best films of the century."</span> – Village Voice<br /><br /><span style="font-style: italic;">"Nowhere in the cinema has Brecht’s aesthetic and political theory been so well dramatized and illuminated." –</span> Harvard Film Archive</div>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-67704881745826234382010-10-12T20:07:00.003-04:002010-10-12T20:13:12.259-04:00Cornell Cinema: DDR/DDRCornell Cinema presents<br />Ithaca Premiere!<br /><span style="font-weight:bold;">DDR/DDR</span><br />Wednesday, October 13 at 7pm<br />Willard Straight Theatre<br /><span style="font-weight:bold;">with filmmaker Amie Siegel</span><br />Admission: $7 general/$5.50 seniors/$4 students<br />more <a href="http://cinema.cornell.edu/LateFall2010/ddrddr_.html">here</a> and at <a href="http://cinema.cornell.edu">cinema.cornell.edu</a> <br /><br />Cosponsored with the Institute for German Cultural Studies and the Rose Goldsen Lecture Series<br /><br />Directed by Amie Siegel<br />A multi-layered and disarmingly beautiful film essay on the German Democratic Republic and its dissolution, which left many of its former citizens adrift in their newfound freedom. Featured at the 2008 Whitney Biennial, the film collects unsettlingly mundane Stasi surveillance footage, interviews with psychoanalysts, East German "Indian hobbyists," and lolling shots of derelict state radio stations into an extended and self-conscious assemblage that weaves together meditations on history, memory, and the shared technologies of state control and art. Subtitled. Digital Projection.<br />More at amiesiegel.net<br />2008 > Germany/USA > 2 hrs 15 min<br /><br />AMIE SIEGEL BIO<br />Born in 1974 in Chicago, Siegel studied at Bard College and The School of the Art Institute of Chicago. She has lived and worked in New York and Berlin. Siegel works variously in 16 and 35 mm Þlm, video, sound, and writing. Screenings and exhibitions include the 2008 Whitney Biennial; KW Institute for Contemporary Art in Berlin; Austrian Film Museum; Berlin International Film Festival; PaciÞc Film Archive; Museum of Fine Arts Boston; Frankfurt Film Museum; and Film Forum in New York. Her Þrst book of poetry, The Waking Life (North Atlantic Books), was published in 1999, followed by numerous essays on art and poetics. Siegel has been an artist-in-residence of the DAAD Berliner-Künstlerprogramm and is a recent recipient of a Guggenheim Fellowship. Siegel uses the cinematic image as material means to a conceptual end. Her work mines the voyeuristic gaze, direct address, and interview, investigating how these repetitions form cultural memory. Her multichannel video and Þlm installations reformulate cinematic enterprises - the establishing shot, the remake and the tracking shot - as uncanny reþections on absence, historical disorientation and nostalgia. Longer single-channel videos and films (The Sleepers, Empathy, DDR/DDR) move between scripted and spontaneous spaces, truth and Þction, shifting performance from identiÞcation to parody and estrangement. Siegel is also an Assistant Professor of Visual and Environmental Studies at Harvard University.PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-36675512723380611062010-10-02T22:11:00.004-04:002010-10-02T22:17:10.969-04:00October 5: Die Legende von Paul und PaulaContinuing its Fall 2010 series, Berlin Films I: Streets and City Spaces, PG Kino presents <span style="font-style:italic;">Die Legende von Paul und Paula</span><br /><br /><span style="font-weight:bold;">Tuesday, October 5, 8PM<br />Goldwin Smith Hall 142 (PLEASE NOTE THE LOCATION)</span><br /><br />Free and open to the public<br />Preceded by an introduction and followed by an open discussion<br /><br /><span style="font-weight:bold;">Die Legende von Paul und Paula<br /></span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdjFflO2H9PnQw5GGNTsy2UmsaMWQZ_f6lFv-kryLDeXsVPmWzf1WxhpfMT30idb7Wx1hPOdFPM6o18XqsfEMLaGb8SsAm1xCBQjPJNcolb59qeGeb1XcrSmF0XGuq66RfB0ddHteOm4i5/s1600/PaulundPaula.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 229px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdjFflO2H9PnQw5GGNTsy2UmsaMWQZ_f6lFv-kryLDeXsVPmWzf1WxhpfMT30idb7Wx1hPOdFPM6o18XqsfEMLaGb8SsAm1xCBQjPJNcolb59qeGeb1XcrSmF0XGuq66RfB0ddHteOm4i5/s320/PaulundPaula.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5523636924771164370" /></a><br />Dir. Heiner Carow · GDR · 1973 · 105 Min. · German with English subtitles<br /><br />Paula, a single mother, works long hours at a supermarket and is generally dissatisfied with her life. Approached by an older tire salesman, Herr Saft, she gravitates toward him but their relationship lacks the overriding passion she desires. Paula drifts into a bar one night and meets a most unlikely match, Paul, a respectable but slightly dull, married man. After they fall in love to a wonderful soundtrack of '70s German pop music, Paul must choose between his terminally annoying wife and Paula. Unable to break with his past, Paul wavers and Paula withdraws. Only feats of legend will allow Paul to win back Paula. (adapted from allmovie.com)PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-8531485506232969082010-09-18T13:18:00.005-04:002010-09-18T13:21:30.359-04:00September 21: PrinzessinnenbadPandaemonium Germanicum presents the second film in its Fall 2010 PG Kino series, "Berlin Films I: Streets and City Spaces," with "Prinzessinnenbad"<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKgYEAdYGTfe5d_bU9iELSvT_Afe8c5CUGkKFSvIbmIQX9a0qtsFc0HTOEx1HqPNQJvD0AUthVb_KDx3APTnNX0AEw5gGk2HvMzOsRJqyKGW9_YRxExjSHnugbR2l-Szmdcb5VINIksCWU/s1600/Slide1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 247px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKgYEAdYGTfe5d_bU9iELSvT_Afe8c5CUGkKFSvIbmIQX9a0qtsFc0HTOEx1HqPNQJvD0AUthVb_KDx3APTnNX0AEw5gGk2HvMzOsRJqyKGW9_YRxExjSHnugbR2l-Szmdcb5VINIksCWU/s320/Slide1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5518304342362659890" /></a><br /><br />Prinzessinnenbad<br />dir. Bettina Blümner (Germany, 2007)<br />92 min<br />German with German Subtitles<br /><br />Klara, Mina and Tanutscha are fifteen and the main characters featured in this documentary. Raised by their mothers in Berlin Kreuzberg, they have been inseparable since kindergarden. However, on the verge of adulthood the three girls start to look for their own place in life: Klara quits school, Mina wants to be with her boyfriend, and Tanutscha demands more freedom from her mother.<br /><br /><span style="font-weight:bold;">Tuesday, September 21<br />8PM-10:30PM<br />Kaufmann Auditorium, Goldwin Smith Hall<br /></span><br />Preceded by an introduction and followed by an open discussion.<br />FREE and open to the public.<br /><br />Image source: Reverse Angle Productions (www.reverse-angle.com)PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-51259936849446260542010-09-05T12:58:00.003-04:002010-09-05T13:03:01.577-04:00September 7: Menschen am SonntagPandaemonium Germanicum Presents:<br /><br />Menschen am Sonntag (People on Sunday)<br />dir. Kurt Siodmak, Robert Siodmak, Edgar G. Ulmer, Fred Zinnemann (1930) <br />73 min.<br />German with English Subtitles<br /><br />“A tale of five young Berliners – a taxi driver, a travelling wine dealer, a record shop saleswoman, a film extra and a model – spending a typical Sunday. In this vivid snapshot of Berlin life, a trip to the countryside reveals the flirtations, rivalries, jealousies, and petty irritations common to any group outing. All too soon it is the end of the day, and the prospect of Monday looms, and the return to weekday routine.<br /><br />Considered one of the most important works of the German film Avant-Garde of the 1920s, and a huge influence on the French New Wave and Italian Neorealist movements, People on Sunday also marked the start of the film careers of six cinéastes who would go on to great international success.”<br />~ British Film Institute<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbCIcTS66nm8ZfNzEAhWIzRYC85QEO_BNVZI3M0FkWB-Z7kIMVyxlNDjcKUVksNF1Ni0WGi-7XLap3eP0jDuoc_GKXfGSSJtsw99N4p2VQwbG66ZFkkoMDGh1acMJeAJHxFhtrXjiiKEZd/s1600/Menschen+am+Sonntag.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 270px; height: 206px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbCIcTS66nm8ZfNzEAhWIzRYC85QEO_BNVZI3M0FkWB-Z7kIMVyxlNDjcKUVksNF1Ni0WGi-7XLap3eP0jDuoc_GKXfGSSJtsw99N4p2VQwbG66ZFkkoMDGh1acMJeAJHxFhtrXjiiKEZd/s320/Menschen+am+Sonntag.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5513475739722262066" /></a><br /><span style="font-weight:bold;"><br />Tuesday, September 7, 8PM<br />Kaufmann Auditorium, Goldwin Smith Hall</span><br />FREE and open to the public<br />Preceded by an introduction and followed by an open discussionPG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-60397540646845422482010-04-26T07:47:00.011-04:002010-04-26T08:06:40.444-04:00April 28: Sag niemals nie -- Räumung Mainzer StraßePG Kino presents: Documentaries<br /><br /><span style="font-weight:bold;"><i>Sag niemals nie -- Räumung Mainzer Straße</i><br /></span><br />German and English, no subtitles<br />90 min.<br /><br />Wednesday, April 28 2010<br />7:30PM, Lewis Auditorium (Goldwin Smith Hall)<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS-R5CsL0-LMixumhT5PxUyyueETcy1PnoiVo8eajGILR95SV7fcthzjgpD0GMtuaCa9ZACzK9nd2e2N6Rx_XASVdMNufxpAMIyTnSEIiTe06KNQE5hEZTpgxvG1q88B4sl81w5Y8GCvxp/s1600/1221q.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 305px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS-R5CsL0-LMixumhT5PxUyyueETcy1PnoiVo8eajGILR95SV7fcthzjgpD0GMtuaCa9ZACzK9nd2e2N6Rx_XASVdMNufxpAMIyTnSEIiTe06KNQE5hEZTpgxvG1q88B4sl81w5Y8GCvxp/s320/1221q.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5464412668816591970" /></a><br />The eviction of Mainzer Street in Friedrichshain in Berlin on 14 November 1990 was a street battle over twelve occupied houses and is considered one of the most massive police operations of postwar Berlin.<br /><br />The film Sag niemals Nie - Räumung Mainzer Straße (Never Say Never – the Eviction of Mainzer Street) documents the life of the squatters and their struggle against fascism and the state’s measures to evict them from a block on this street.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjWmW-pN5_AObsm2k9OlQxxYwMIpJNSIWH8zbss4Ral8GamskTyipdczlpIG8PfgE3UbDnN2PEeeo6M-0n0MEPtj-PoBTyJtiZZQLSOob9rHQj0RosmLvrryjbqVXCcbULnLPx12B8-S_V/s1600/1220z.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 234px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjWmW-pN5_AObsm2k9OlQxxYwMIpJNSIWH8zbss4Ral8GamskTyipdczlpIG8PfgE3UbDnN2PEeeo6M-0n0MEPtj-PoBTyJtiZZQLSOob9rHQj0RosmLvrryjbqVXCcbULnLPx12B8-S_V/s320/1220z.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5464412957724846050" /></a><br />After reunification, many autonomists from Kreuzberg’s squatting scene were drawn to the east of the city. On the 29th of April 1990 twelve houses on Mainzer Straße were occupied. On the morning of the 12th of November, three newly occupied houses were evicted by the police, which prompted a midday demonstration on Frankfurter Allee by the residents of Mainzer Straße. On the basis of the barricades erected and trenches dug at the end of the road, the police fought with water cannons and APCs until about three in the morning and then withdrew. In the night of the 14th of November, the squatters’ barricades were raised higher. Towards six the following morning, about 4,000 policemen, with water cannons, helicopters, tear gas and guns, stormed the block, which was defended by about 500 autonomists with stones and Molotov cocktails. It was completely cleared within two hours. Altogether there were 300 arrests and many injured, some seriously. About 10,000 demonstrators gathered in the evening to protest against the eviction. (adapted from doku.cc)<br /><br />This film, collectively produced by former residents of the squats on Mainzer Straße and others, brings together footage, interviews, recollections, and music in a document about an often overlooked moment of the uneasy transition from Wende to Wiedervereinigung.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuqlVaQG_qzoDGx5Y-q6m7ISKM_S2HeHmE5eI4PUZIpFblkVAj0CW1_x6PNebsiyE8cDaZ4mGFzjxk5KKyLMQr-D30SIDYV3MYDXlQyl1ydYDnjTtQIUtJHqAHNQUWZXRfYW4bTnti8_XL/s1600/1221p.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 224px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuqlVaQG_qzoDGx5Y-q6m7ISKM_S2HeHmE5eI4PUZIpFblkVAj0CW1_x6PNebsiyE8cDaZ4mGFzjxk5KKyLMQr-D30SIDYV3MYDXlQyl1ydYDnjTtQIUtJHqAHNQUWZXRfYW4bTnti8_XL/s320/1221p.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5464413203528309250" /></a><br /><br />Preceded by an introduction and followed by an open discussion.<br />Free and open to the public.PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-50671988110196638752010-04-14T08:52:00.003-04:002010-04-14T09:10:52.010-04:00April 14: Der ewige JudePandaemonium Germanicum presents: “Documentaries”<br /><br />PG Kino Screening: Wednesday April 14, 2010<br />7:30PM Lewis Auditorium (Goldwin Smith Hall)<br /><br />Der ewige Jude (The Eternal Jew)<br />Dir. Fritz Hippler (Germany, 1940)<br />62 min.<br />In German with English subtitles<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguk5St7TgpAOdTFiUIuCHPx-qT6pk2ynVnNpSzJGPAUMNZn4ViZTbtQpxRSCeJ-TlwvwfKN9KjbaCbFK0BAx8k4ksKtmUxhe-a-qPx2xzZXn5ERbmcvPFjurJhJ1V2Ec7CGw5vSK65404-/s1600/WinDVD+2010-04-12+19-45-05-03.bmp"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguk5St7TgpAOdTFiUIuCHPx-qT6pk2ynVnNpSzJGPAUMNZn4ViZTbtQpxRSCeJ-TlwvwfKN9KjbaCbFK0BAx8k4ksKtmUxhe-a-qPx2xzZXn5ERbmcvPFjurJhJ1V2Ec7CGw5vSK65404-/s320/WinDVD+2010-04-12+19-45-05-03.bmp" border="0" alt=""id="BLOGGER_PHOTO_ID_5459975594162719586" /></a><br /><br />Arguably the most notorious propaganda film produced under the supervision of Joseph Goebbels and the Reich Propaganda Department of the Nazi regime, Der ewige Jude was released in 1940 with the subtitle, “A cinematic contribution to the problem of world Jewry.” While asserting itself as a documentary, the film makes use of fabricated statistics and photomontage techniques to achieve its devastating ends. Describing the effect of the film on an audience, Erwin Leiser wrote in 1968 that it was able to “turn honest citizens into indulgent mass murderers.”<br /><br />In this series on the genre of Documentary, we will view this historically significant film considering the claims to factuality made in its narrative in relation to formal elements. Introductory remarks will center on the motif of Epidemic exploited in the film.<br /><br />Preceded by an introduction and followed by an open discussion<br />Free and open to the public<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6IZLDJMxUkarkvpELNUD9xaG1F_5M-3AnAoIaDf71MtcndC1boDyHvhlyKc8VAY-jt17AgZy8abIcshxOb0mnNqkIL6hC28pHTX0DIFZ80hPNqwqzAU4O806xEsCaPYXZBvog66LwqjbA/s1600/WinDVD+2010-04-12+20-43-10-26.bmp"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6IZLDJMxUkarkvpELNUD9xaG1F_5M-3AnAoIaDf71MtcndC1boDyHvhlyKc8VAY-jt17AgZy8abIcshxOb0mnNqkIL6hC28pHTX0DIFZ80hPNqwqzAU4O806xEsCaPYXZBvog66LwqjbA/s320/WinDVD+2010-04-12+20-43-10-26.bmp" border="0" alt=""id="BLOGGER_PHOTO_ID_5459975802158357922" /></a>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-75603758913805852472010-03-29T13:16:00.007-04:002010-03-30T13:08:53.232-04:00March 31: We Feed the World-- Essen GlobalPG Kino presents:<br />We Feed the World<br />Director: Erich Wagenhofer <br />Austria, 2005, 95 min.<br />German/English/French/Portuguese with English subtitles.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK4JHKydO29xBQzrAihVA8xacUV9CphoI2RuuTF4ysNe6-hm09z99uzAxFIOJ_Nit3bpijDXOpjzZEmpTYOBkZ5K3ONOhIV4DsCwP2__3RCkxANtGfaYr0154-z76siZhQ95NtjyTnfXKg/s1600/wee-feed-the-world-flyer.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 247px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK4JHKydO29xBQzrAihVA8xacUV9CphoI2RuuTF4ysNe6-hm09z99uzAxFIOJ_Nit3bpijDXOpjzZEmpTYOBkZ5K3ONOhIV4DsCwP2__3RCkxANtGfaYr0154-z76siZhQ95NtjyTnfXKg/s320/wee-feed-the-world-flyer.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5454471698690808834" /></a><br /><br />"We Feed the World" is a documentary about food and globalization, fishermen and farmers, long-distance truck drivers and high-powered corporate executives, the flow of goods and cash flow-- a film about scarcity and plenty. With its unforgettable images, the film provides insight into the production of our food and answers the question what world hunger has to do with us.<br /><br />Interviewed are not only fishermen, farmers, agronomists, biologists and the UN's Jean Ziegler, but also the director of production at Pioneer, the world's largest seed company, as well as Peter Brabeck, Chairman and CEO of Nestlé International, the largest food company in the world<br /><br />(Adapted from we-feed-the-world.at)<br /><br />Wednesday, March 31st, 7:30PM<br />Lewis Auditorium, Goldwin Smith Hall<br />Preceded by an introduction and followed by an open discussion.<br />Free and open to the public.<br /><br />(image from www.kino.com)PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-1098072435030428262010-03-16T07:56:00.002-04:002010-03-16T08:04:07.565-04:00March 18: Short Films by Alexander Kluge<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivbez4wWylF1Fh28GscFaKzByIpLtLmeq1DYQCUSScjGnAGJtuYrTRlrd1EGP74ep5cWSAtOWBjV8vQfu1xlKN6uR3jidemxomLmShUGuzPqDT4FB_i7cu3pDWhGnUBnE3mIaZgJATJuee/s1600-h/transcriptofarevolution.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivbez4wWylF1Fh28GscFaKzByIpLtLmeq1DYQCUSScjGnAGJtuYrTRlrd1EGP74ep5cWSAtOWBjV8vQfu1xlKN6uR3jidemxomLmShUGuzPqDT4FB_i7cu3pDWhGnUBnE3mIaZgJATJuee/s320/transcriptofarevolution.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5449201170054324722" /></a><br />Please note the date and time of this screening, as it differs from our regular schedule: <span style="font-weight:bold;">Thursday, March 18 at 8PM</span><br /><br />PG Kino presents its Spring 2010 film series with the theme of Documentaries, continuing with a selection of short films by Alexander Kluge.<br /><br />Films screened will include:<br /><br />Brutalität in Stein (1961) 11 min.<br />Protokoll einer Revolution (1963) 12 min.<br />Porträt einer Bewährung (1964) 12 min.<br /><br />Thursday, March 18, 2010<br />8PM<br />Lewis Auditorium, Goldwin Smith Hall<br /><br />In German with English subtitles<br />Preceded by a short presentation and followed by an open discussion.<br />Free and open to the public.<br /><br />Photo source: http://seul-le-cinema.blogspot.com/2009/05/alexander-kluge-early-shorts.htmlPG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-1211181147412488891.post-25441005103244398332010-02-28T19:47:00.006-05:002010-02-28T19:53:47.262-05:00March 3: Auf der Suche nach dem Gedächtnis (In Search of Memory)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrVFxe5UqPCzgk2-E77KhCep2DUjHOOtCc81iBhr-VKkxmZiB5S0vU1xIs3dAdpb8MJii9a6An3obGdxgXBSWW0Oumupdda9G4PtWAnTB82_IN5qkjUYen_DAnXucDaCbSox9YFVUyVppO/s1600-h/in+search+of+memory+2.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 226px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrVFxe5UqPCzgk2-E77KhCep2DUjHOOtCc81iBhr-VKkxmZiB5S0vU1xIs3dAdpb8MJii9a6An3obGdxgXBSWW0Oumupdda9G4PtWAnTB82_IN5qkjUYen_DAnXucDaCbSox9YFVUyVppO/s320/in+search+of+memory+2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5443461663497529906" /></a><br />PG Kino continues its Spring 2010 film series, "Documentaries," with <span style="font-style:italic;">In Search of Memory</span> (<span style="font-style:italic;">Auf der Suche nach dem Gedäctnis</span>). <br /><br />IN SEARCH OF MEMORY is a compelling blend of autobiography and history that recounts the life of one of the most important neuroscientists of the 20th century and illuminates scientific developments in our understanding of the brain's role in recording and preserving memory. In addition to archival footage and dramatic re-creations of Kandel's childhood experiences in Nazi-occupied Vienna and his formative years as an emigrant in New York, the film features discussions with Kandel, friends and family, as well as his public lectures in Vienna and New York, which explore both his professional and personal life, especially his emotional ties to Judaism.<br /><br />Wednesday, March 3 at 7:30PM<br />Lewis Auditorium, Goldwin Smith Hall<br />Preceded by an introduction and followed by a discussion.<br />FREE and open to the public.<br /><br />Summary from http://icarusfilms.com/new2009/mem.html<br />Image from http://www.nypress.com/blog-3327-memento-petra-seegers-in-search-of-memory-plays-at.htmlPG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0